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When it came time to film the sequel, Hardwicke balked. Summit was pushing hard to get the new movie done fast, to keep up the momentum, and she was burned out. Enter Chris Weitz, who was not, by his own admission, the obvious choice. ""There was a reasonable amount of skepticism when I took over the second movie,"" he says. ""I understand that. I directed American Pie. I would be worried too."" But after a 2½-hour phone conversation with Meyer — a fan of Weitz’s About a Boy — she gave him her blessing.For New Moon Weitz had more money to play with, about $50 million, but in some ways he had a more difficult assignment. Not only did he have to stay true to Meyer’s books, but he also had to follow the tone of Hardwicke’s Twilight. Up to a point. ""I wanted it to look more old-fashioned than the first movie,"" he says. ""Hardwicke’s film was very contemporary, very stylish. Very immediate. That was great. But not me. I’m a bit of an old fogy. What I wanted was wide-screen epic."" 影片将要拍摄续集，但是Hardwicke却犹豫了
